Beauty Arts

Last SupperThe painter Leonardo da Vinci

Art of painting or painting

The thousands of years of ancient Armenian art are unique and have evolved since the third millennium BC in the social and biological conditions of the peoples forming the nation of Aras throughout history.

This claim is evidenced by the remains of the Urartu era, including the ruins of the Mosaic Temple, as well as many other works, such as the warm Carnatic paintings and the newly rebuilt Carsey Temple itself.

After Christianity spread all over the world from art to church shadow art and gospel themes the influence of Greek art is the main painting art form.

At the same time illuminated scriptures, photographs and biblical landscapes of artists on the walls of churches and private houses appeared the same status.

In ancient times, major events and developments were the transition from the Middle Ages to the New Age. The rise of people's consciousness in all spheres of spiritual life was evident, but only self-knowledge and past and present knowledge of the individual's land and literature, as well as the preservation of language. The scarcity of books was addressed through numerous manuscripts and the need for printed books.

the Mona Lisa paintingThe painter Leonardo da Vinci

History of the art of painting

In the 17th and 18th centuries, applied arts, graphic and decorative sculptures, as well as art paintings, advanced significantly. Although graphic art (calligraphy and painting) was associated with books, he reproduced European printed examples and relied on miniature miniature principles of handwriting, but appeared in sculpting new subjects.

In general, painting was the case in the seventeenth and eighteenth centuries, especially in artistic psychology and in the contexts of color concepts, and was the place where the intersection of Oriental, traditional, local and national arts. In fact, this painting, with its ancient history, helped in the development of medieval art. However, the path of progress was not uniform, but it also had branches reaching Tbilisi, Crimea, Egypt, Jerusalem, Constantinople and Moscow. These were unique circles associated with the art of painting in the settlers and formed the national doctrine of the 17th and 18th centuries. There is no doubt that these colonies have their own characteristics, which in some cases were more related to the art of the country, influenced by the art of painting that flourished in the new Djelfa. You can rely on yourself.

Visual arts, especially 17th and 18th century art, were not preserved. Part of the painting that was made for other churches is in relatively good condition today, as it was under the direct supervision of the Armenians.

For a review of graphic art in the history of some Armenian press articles can be found. The testimony of visitors about Iranian art as well as the art of painting is extremely valuable and appreciated. Introduction of catalogs of models of Persian paintings by Sarkis Khachurian, as well as Aram Yarmian's articles on the painter Minas and some murals help researchers.

Crafts such as pottery, cloth production, carpet weaving, gold crafting, metalwork, wood terraces, precious stones, ivory and ivory are thriving. At the same time, intellectuals, teachers, doctors, philosophers and lovers began to emerge.

The art of painting, which cannot be independent of public social life, is undergoing tremendous changes. The miniature continued its life with its own distinctive national handwriting characteristics, with a series of handwritten characters. The highlight of the pre-school period was the 17th-century miniature painting school in Isfahan, which was several hundred years old. Among the popular sciences of the time (medicine, mathematics, astronomy), in addition to current arts (music, various applied arts disciplines), painting arts were important and valuable disciplines. The treatises we have received are valuable works on scientific issues and Oriental art theory. The role of the painter is revealed, and above all, the importance of his work. As a fan guide, it also reflects the aesthetics of that era.

Art is an integral part of every creative process. There is no whole space without it. Art becomes the purpose of an agent together - connecting the details of your living room with their use of colors, patterns and even shapes. Art is also a great way to personalize your site. It's a place where you can say something you like, like, or force you to do. No doubt about it, art is one of the most important things you have in your home. However, it is still one of the most ignored things, and it is not difficult to know why.

For many of us, art can seem a distant and incomprehensible part of the design process. This may be because we believe that miracles are the most expensive and that all good things will cost us a lot. Or it could be because we feel that we should not make the right decision for art for our homeland and without a great history on this subject, we have something to go wrong with. For some of us, we will feel that art does not speak to us, and we will not find everything we love. Luckily for us, regardless of our ideas, there are many resources available online, proud and able to prove it to us as we introduce us into an art world that delights our talents and our money. Here are seven of our favorites.

Art analysis means looking at the overall artwork and distinguishing it into parts, one by one, in terms of visual elements. The composition of art and the various relationships in the technique of expression in order to use information to evaluate the work of art in terms of the value of beauty, substance and emotion.

 It is the analysis and evaluation of skills. Using the elements of visual art and the artistic composition expressed in this work expresses the beauty of art appropriately and beautifully and affects viewers' appreciation of aesthetics. The composition of art and the various relationships in the technique of expression in order to use information to evaluate the work of art in terms of the value of beauty, substance and emotion.

Contemporary aesthetic thought interrupted the traditional relationship between beauty and art. The classical attitude, which revolves around art, is a historical one. This means that beauty is no longer considered a necessary feature of an artwork: the art of beautiful art can be beautiful.

Separating art from beauty is not a new issue. Such a chapter is already found in Plato's thinking, although Plato's arguments differ from those prevailing today. According to Plato, art is a tradition of material nature, and it itself imitates ideas. Art is imaginary wrong, and therefore can not be really beautiful. The actual beauty that reflects reality is the perfect beauty that cannot be achieved in the physical world. Plato condemned art and raising beauty. In the modern view, the situation was reversed: good art was not necessarily beautiful art, but beauty was rejected as imaginary and shallow, while art was considered a wonderful matter worth pursuing. Art is seen as an expression of existential or ideal reality, while beauty revolves around what provides instant and superficial pleasure.

The separation between beauty and art has been justified in modern thought from three main directions:

1- An acceptable position in contemporary aesthetics that is not a fundamental feature of art apart from the institutional recognition that determines the state of artistic products.

2-Erosion put the concept of beauty in general, identify beauty with low values. 

3- Rebellion with classic beauty values. In the following, I will briefly examine these justifications, and I will try to prove that they have a double misunderstanding: a misunderstanding of the essence of beauty, a misunderstanding of the essence of art, and as a result, there is no misunderstanding of the interaction between these two.

1-The prevailing tendency to exhaust the discussion of the essence of art within the institutional framework of art does not allow it to attribute any characteristic to it, regardless of its association with socio-institutional activity. According to this position, all attributes attributed to art are not necessary and do not reflect their essence, but the spirit of time. There are times when emotional expression is the main thing, and there are periods when the beauty or representation of reality is the main thing. The common denominator of all works of art, according to the institutional concept, lies not in these features, but in the fact that the relevant institutions are defined as art. A clear representative of this position is George Dickey, whose position has elicited many responses. In his view, the work of art takes its place by institutional authority, rather than being beautiful, animated or depicting a particular truth. Such affiliation is not something specific to art, and does not know anything about the taste of artistic activity.

2-The erosion of the state of beauty and its definition with low values ​​stem from a misunderstanding of beauty. Many tend to see beauty as a feature that deals with the outer and superficial aspects of the object, whether it be an art or a person's beauty, place or tool. Beauty is seen in a context that seduces the senses and overwhelms the true values ​​of the object. The reference to beauty as superficial, "deep skin", reflects this understanding. According to the accepted argument, there is more to art than imagined in the eye or ear, and therefore "beauty" can not exhaust what gives value to the work.

Certainly the meaning and value of art is not determined solely by the perceived senses. This is true not only for art, but for each object. The perception of the senses is inseparable from our conceptual understanding of the object, its purpose and its importance to our interests. The belief that beauty revolves around pure perception is a fundamental mistake.

Art and literature is the moral emanation of civilization, the spiritual radiation of peoples.

Art is a constant search, absorbing previous experiences, adding new experiences, in shape, in content, in matter, in style, in means.

There must be no art separate from life: good things to look at and bad things to use.

We need to clarify that as long as art remains outside the problems of life, it affects only a few people.

When everything is art, nothing is art.

Art expresses general truths in a language common to the nation in particular the author; the truth we call is what is, or should be. They also say that truth is the goal of science, while art awaits beauty; we of beauty believe that moral truth is important.

Real art is a place that no one expects, where no one thinks or pronounces its name. Art is above all vision and vision, often, has nothing in common with intelligence or logic of ideas.

Your children love the arts and cartoons do not prevent what they love

Art is support or encouragement